Showing posts with label RIP. Show all posts
Showing posts with label RIP. Show all posts

Friday, 2 November 2012

Terry Callier (24 May 1945; died 28 October 2012)

 
Terry Callier

guardian.co.uk; Adam Sweeting

Terry Callier at the Jazz Cafe in London in 2001. Photograph: David Levene

From his beginnings in jazz, folk and soul music onwards, the singer and guitarist Terry Callier, who has died aged 67 after suffering from throat cancer, struggled to find the popular recognition his varied talents deserved. Nonetheless he released a string of enduring and influential albums and, during the 1990s, enjoyed a creative rebirth in the UK when his supple, soulful music was feted by the acid-jazz movement and he collaborated with Beth Orton and Massive Attack.

Callier was born in Chicago and raised in the north side of the city. Partly inspired by his mother's enthusiasm for singers such as Ella Fitzgerald and Billie Holiday, he sang in amateur doo-wop groups in his teens, and found himself in the midst of a remarkable group of local musicians including Curtis Mayfield, Jerry Butler and Ramsey Lewis.

In 1964, he was signed to Prestige Records by the producer Samuel Charters, with whom he cut his first album, The New Folk Sound of Terry Callier. Featuring just an acoustic guitar, two bass players (an idea Callier borrowed from the jazzman John Coltrane) and Callier's gentle but hugely expressive voice, the album stands today as a minor masterpiece. However, it was not released until 18 months later because in the meantime Charters had disappeared to Mexico, taking the master tapes with him. Look at Me Now, Callier's debut single, came in 1968, when he signed with Chicago's renowned blues label, Chess.

Callier earned a living by playing gigs in New York and Chicago until he was contacted by Butler in 1970 and recruited to his salaried group of songwriters. "Our job was just to write songs and learn about the music business," Callier told the journalist Angus Batey. "That was incredible." The following year, the Chess producer Charles Stepney approached Callier for songs. Callier supplied The Love We Had (Stays On My Mind), which was recorded by the Dells and was successful enough to prompt a recording contract for Callier from the Chess subsidiary Cadet. He made three solo albums under Stepney's guidance: Occasional Rain, What Color Is Love and I Just Can't Help Myself; commercial reward did not match their critical acclaim and Cadet ended Callier's contract.

Hope was rekindled when Elektra Records came calling in 1977, though Callier refused to have any truck with the prevailing disco boom, and his two Elektra albums continued his string of commercial flops. His Elektra mentor, Don Mizell, quit the label in 1979, and Callier was dropped shortly afterwards.

When his daughter, Sundiata, who was living with Callier's ex-wife, told him she wanted to stay in Chicago to attend school, Callier realised he had to have a steady income. "She needed me and the music business just didn't seem like a viable option at that point," he said. He secured a staff job as a computer programmer at the University of Chicago, and relegated music to a mere hobby for the next decade and a half.

However, as the 90s dawned, Callier was amazed to be told that he had become an icon of the British soul-jazz scene, thanks to a single, I Don't Wanna See Myself (Without You), on an obscure label. This had caught the ear of cutting-edge DJs such as Eddie Piller, who dropped in on Callier in Chicago and invited him to perform at the 100 Club in London. His subsequent string of shows at the Jazz Cafe became legendary for the devotion he aroused in his listeners.

Callier sang two songs with Orton on her EP Best Bit and he was signed to Gilles Peterson's Talkin' Loud label, for which he cut the albums Timepeace (featuring Orton) and Lifetime, both suffused with a sense of faith and yearning for redemption. After his record deal collapsed following a round of record company mergers, the independent label Mr Bongo stepped into the breach and released the live album Alive and a studio album, Speak Your Peace, which featured a duet performed and co-written with Paul Weller.

Callier was sacked from his computer programmer's job and concentrated once more on music, dividing his time between the UK and the US. He recorded six acclaimed albums between 1999 and 2009. The last of these was Hidden Conversations, on which he was joined by Massive Attack, with whom he had collaborated on the single Live With Me, a Top 20 hit in 2006. "You can make accessible music and still sing about love and peace and truth and life and death," said Callier in 1996. "In the end, those are the only things that matter."

He is survived by his daughter.

• Terry Callier, musician, born 24 May 1945; died 28 October 2012

• This article was amended on 31 October 2012. The New Folk Sound of Terry Callier was released 18 months after it was recorded, rather than four years. Callier signed with Chess in 1968, rather than 1963.

Monday, 20 June 2011

Clarence Clemons (11 January 1942 - 18 June 2011)





Adam Sweeting's Obituary - The Guardian.co.uk

Almost as much as the music, it was the sleeve image of Bruce Springsteen leaning nonchalantly on the back of the saxophonist Clarence Clemons, who has died aged 69 after a stroke, that defined Springsteen's 1975 album Born to Run. The photograph symbolised the intense fraternal bonding that helped fuel the rise of Springsteen and his E Street Band. Throughout the years of their greatest success, Clemons was a vital ingredient of Springsteen's sound and an invaluable onstage foil to "the Boss".

Clemons was born in Norfolk, Virginia, the oldest of the three children of Thelma Clemons and her husband Clarence, who owned a fish market. His parents worked long hours and were devoutly religious, and the young Clarence cut his musical teeth with the local church choir and in a gospel group. He used to help out with the family fish business after school, and shouldered some domestic responsibilities while his mother took a college course. "I didn't have much time for childhood innocence," he remarked later.

He began playing the saxophone after his father bought him an alto instrument one Christmas, and enrolled him in music lessons at a local college. He switched to the beefier-toned baritone sax, but then decided the tenor sax was the way to go after feeling inspired to imitate the scorching R&B playing of King Curtis. Meanwhile, Clemons was also a keen football player, and he won a football and music scholarship to Maryland State College. It looked as if he might be destined for a sporting career when he went for a try-out with the Cleveland Browns, but his footballing hopes were crushed when he was involved in a serious car accident.

Meanwhile he had been gaining musical experience by playing with an R&B covers band, the Vibratones, and also played on recording sessions with Tyrone Ashley's Funky Music Machine, a New Jersey outfit featuring future members of Parliament-Funkadelic. Clemons moved to Newark, where he took a job as a counsellor to emotionally disturbed children at the Jamesburg Training School for Boys, while playing music in the clubs along the Jersey shore by night.

He was moving among the same circle of local musicians as Springsteen, and first ran into him when they were both playing gigs in separate bars in the seaside resort of Asbury Park. Clemons went to check out Springsteen and asked if he could play sax with him. Springsteen invited him to join in on a version of Spirit in the Night. "I sat in with him that night," Clemons told People magazine. "It was phenomenal. We'd never even laid eyes on each other, but after that first song he looked at me, I looked at him, and we said 'This is it.'"

By now Clemons had married, and fathered two sons, Clarence III and Charles, by his first wife, but the union quickly became a casualty of his decision to quit his job and join the E Street Band. "I was making $15 a week with Bruce then," he recalled. "But I had faith. It was like following Jesus."

Clemons stayed the course for Springsteen's first couple of commercially unsuccessful albums, Greetings from Asbury Park, NJ, and The Wild, The Innocent & the E Street Shuffle (both released in 1973), before the band- leader exploded into stardom with Born to Run (the story of how Clemons joined the E Streeters was alluded to in the song Tenth Avenue Freeze-Out). Clemons's braying saxophone featured prominently on Thunder Road, Jungle-land and Born to Run itself, and his background in R&B and soul music lent an authentic earthiness to the soul-band feel of the E Street crew in their early days.

Clemons became a kind of E Street mascot during the ensuing years, his looming 6ft 4in bulk making an effective contrast with the small, hyperactive Boss onstage. His powerful sax playing lit up some of Springsteen's best-known pieces, including Badlands, The Ties That Bind, Independence Day and Bobby Jean. Springsteen liked to embellish the carnival-like E Street mythology in his onstage chats to the audience, characterising Clemons as the "Big Man", capable of exaggerated and heroic feats.

After the colossal success of the 1984 album Born in the USA and then touring with the follow-up, Tunnel of Love (1987), Springsteen decided he wanted a change of musical partners, and in 1989 informed the band members that they were no longer required. Clemons was shocked, though for some years he had been pursuing musical directions of his own. Indeed, when he received Springsteen's call, he was touring in Japan with Ringo Starr and his All-Starr Band, which included Joe Walsh, Billy Preston, Dr John and other luminaries, and he would also tour with the Grateful Dead.

Clemons had formed his own band, the Red Bank Rockers, in 1981, and released the album Rescue with them in 1983. His next album, Hero, included a duet with Jackson Browne, You're a Friend of Mine, which became a Top 20 hit. He also played the sax on Aretha Franklin's 1985 hit Freeway of Love. Clemons made three further solo albums during the 80s, and ran a New Jersey nightclub called Big Man's West.

In 1999, Springsteen saw the error of his ways and recalled the E Street Band to his side for a reunion tour. The Rising (2002) was the first album he had made with the full E Street squad since Born in the USA, and its release was followed by protracted and successful touring.

Springsteen and the band were prominent on the Vote for Change tour in 2004, which aimed (unsuccessfully) to put a Democrat in the White House, and the E Streeters were also united behind Springsteen for the albums Magic (2007) and Working On a Dream (2009). In between, Clemons found time to perform with the band Temple of Soul. "We have one life and that life is on that stage," he said. "Everything else doesn't matter because we don't know what's going to happen."

In 2009 Clemons published his anecdote-packed autobiography, Big Man: Real Life & Tall Tales, which was hailed by the former US president and part-time saxophonist Bill Clinton as "an essential read for any music lover". Clemons played on several tracks from Lady Gaga's 2011 album Born This Way, and performed with her on the television show American Idol.

However, he had been experiencing health problems. He had two knee replacements in 2008, and also needed spinal surgery. He suffered a serious stroke earlier this month.

In a statement on his website, Springsteen wrote: "He was my great friend, my partner, and with Clarence at my side, my band and I were able to tell a story far deeper than those simply contained in our music. His life, his memory, and his love will live on in that story and in our band."

Clemons is survived by his sons, Clarence, Charles, Christopher and Jarod, and his fifth wife, Victoria.

Tuesday, 12 October 2010

Solomon Burke (March 21, 1940 – October 10, 2010)




Solomon Burke (Philadelphia (USA) March 21, 1940 – Schiphol (Netherlands) October 10, 2010)

John Wilde of The Guardian Writes...
"Some things we can all agree on. The greatest footballer of all time? Pele. The greatest movie actor? Brando. The greatest boxer? Ali. When it comes to the question of the greatest soul singer, we will forever be arguing deep into the night. Sam Cooke or Clyde McPhatter? Marvin Gaye or Aretha Franklin? James Carr, Bobby Bland, Etta James, Percy Sledge, Levi Stubbs, OV Wright, James Brown, Bettye LaVette, Smokey Robinson, Dusty Springfield, Ray Charles, Don Covay, Tammi Terrell, Curtis Mayfield, Donny Hathaway, David Ruffin, Irma Thomas, Jackie Wilson, Roberta Flack … Whichever names are proposed, every last one of them has to reckon with the mighty, mighty Solomon Burke".

RIP